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Another hallmark of RGV is the slo-mo scene at the coffee shop - in which after a failed attempt to kill the protagonist, the scene immediately cuts to chase and action. Unarguably the camera angles and fixtures in Satya 2 are far better than Department and Not A Love Story because the camera here is stable for most of the time.

The GoPro shots with the camera placed near the car's steering or its rear view mirror still find place in his films. But this becomes jerky at places, may be due to improper handling. RGV new found love is the eagle cam - the tiny little camera tied to a small helicopter gives the aerial footage of lanes and by-lanes when the actors are talking and moving beneath it. What happens if this product misfires and engulfs them? That is very much visible on the faces of the people involved, and right here RGV cuts it to the interval driving the audience's imagination for the events to follow.

Behind every such moment or character is a meaning, and in the back of everyone's mind is still the crisis of the only product sold by the company - FEAR. In Satya 2 the consummate professional world of underworld finds a mirror - that of common man wielding the forces and his modus operandi to nail down his targets. And for the new one it's better if he picks a different voice-over and not his.

Yes, there is one and RGV saves all his dope to unleash it later. Though the Maoism angle doesn't quite gel with the narration as it only flashes towards the end, it gives a course for the film, and may be fuel for Satya 3. Wait that's not all! Here RGV tries to make cross of Gangsterism, Maoism and Capitalism. He is crystal clear in his objective to strengthen the roots of the underworld and spread its pangs, and for this he treads a different path of giving a structure, process overhaul and maintaining an understated presence among sundry. Satya traces a common man's forceful journey in the grim underworld and Satya 2 is a chronicle of an aam aadmi's purposeful entry into this tainted place. The answer will definitely hit the middle road of a YES and a NO. A bogging question would be "Is the set-up and scenes new or a decent rip-off from many of RGV's cult classics in this genre.

Is the sequel built on the same lines or is it any close to the original. Satya 2 has been touted as a thematic sequel to epic Satya that spawned a new genre of noir crime thrillers in Indian cinema. And the message that delivers is borderline classy - "Crime doesn't die, it just changes its form". Review Satya 2 (Telugu) & earn 20 DM Points.* Review Submit